(FB 1542651949 Timestamp) INHERENT RIGHTS (IDEALS) VS INHERENT DEMAND AND ASSOCIATED COSTS (REALS) by Luke Weinhagen (important concept) —“Commons: Every single thing you pay for by either action, inaction,or forgone opportunity for discount or gain”— This is another area where much of the west is operating with a categorization error in place. We have been categorizing the concept “natural rights” as an INHERENT quality of each individual, not something that has a COST. We should be categorizing it as an available property, with a cost to gain interest in. A commons. Because of its relationship to reciprocity. natural rights is the root commons. All other commons extend from the foundation that natural rights creates and are limited by the breadth of those rights. One must, and can only, purchase interest in that commons through the demonstration of reciprocity and sovereignty. Failure to police this root commons, and extending it to everyone (categorization error – natural/available to all, not inherent/granted to all), creates a vulnerability (extends agency status to parasites) and exposes every derivative commons to parasitism. No correction downstream can remove this vulnerability, they are become attempts at compensation for that original flaw, just more imposed costs. (if I am understanding [Curt] correctly, this one is going to make heads explode when the correction is put in place – though the only other outcome is system collapse)
Theme: Commons
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Curt Doolittle updated his status.
(FB 1543454503 Timestamp) ART: THE CRAFTING OF THE COMMONS (Information Association)
- Craftsmanship (Craft) (Physical information)
… Materials
… Technology
… Skill Design (Design) (Sensory information)
… Pattern (Sensory Aesthetics, Order)
… Depth (Complexity, Hand of man)
… Decoration (form vs function)Content (Art) (Meaningful information)
… Capturing
… … Utility vs
… … the Experience, vs
… … the Moment, Time, or Era (good and bad) vs
… … the Culture or Civilization, (good and bad) vs
… … the Eternal Condition of Mankind
… ie: Value Judgements
And
- Beauty (The Presence of Resources)
… Intention to Make Art (Investment in the commons)
… Hand (Time) of Man, Degree of Investment
… Scale (decoration to monument)
… Scarcity, Uniqueness, “One-ness”.
… Innovation (Mastery)
… Signal Value
And Measurement by Triangulation And … Literature … The Play … Movies … Music … Crafts … Fashion (technically a craft) … Painting, Print, (2d) … Sculpture, (3d) … Architecture (4d) … Monuments (5d) And … You. You and your experiences. Like reading text, the content you experience is a combination of your memories, with the art. ( Opera is an acquired taste. ) —“Is this a breakdown of why art is not merely subjective?”— Yes. Like many things our ‘taste’ consists of personal associations (subjective) to objective measures. We can measure the quality of art. “Your taste is a measure of you, not art.” So like vocabulary, or manners, or style, or other opinion, we retain some constant values, but learn to improve our taste: a skill. PHYSICS IN EVERYTHING = ECONOMICS IN EVERYTHING
- Craftsmanship (Craft) (Physical information)
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Curt Doolittle updated his status.
(FB 1543454503 Timestamp) ART: THE CRAFTING OF THE COMMONS (Information Association)
- Craftsmanship (Craft) (Physical information)
… Materials
… Technology
… Skill Design (Design) (Sensory information)
… Pattern (Sensory Aesthetics, Order)
… Depth (Complexity, Hand of man)
… Decoration (form vs function)Content (Art) (Meaningful information)
… Capturing
… … Utility vs
… … the Experience, vs
… … the Moment, Time, or Era (good and bad) vs
… … the Culture or Civilization, (good and bad) vs
… … the Eternal Condition of Mankind
… ie: Value Judgements
And
- Beauty (The Presence of Resources)
… Intention to Make Art (Investment in the commons)
… Hand (Time) of Man, Degree of Investment
… Scale (decoration to monument)
… Scarcity, Uniqueness, “One-ness”.
… Innovation (Mastery)
… Signal Value
And Measurement by Triangulation And … Literature … The Play … Movies … Music … Crafts … Fashion (technically a craft) … Painting, Print, (2d) … Sculpture, (3d) … Architecture (4d) … Monuments (5d) And … You. You and your experiences. Like reading text, the content you experience is a combination of your memories, with the art. ( Opera is an acquired taste. ) —“Is this a breakdown of why art is not merely subjective?”— Yes. Like many things our ‘taste’ consists of personal associations (subjective) to objective measures. We can measure the quality of art. “Your taste is a measure of you, not art.” So like vocabulary, or manners, or style, or other opinion, we retain some constant values, but learn to improve our taste: a skill. PHYSICS IN EVERYTHING = ECONOMICS IN EVERYTHING
- Craftsmanship (Craft) (Physical information)
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Curt Doolittle updated his status.
(FB 1543515495 Timestamp) by Bill Joslin “The commons” was initially used (or at least at the time of corporatism in Germany) to mean the people. We are a product of the commons and a part of the commons – the primary part – the core.
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Curt Doolittle updated his status.
(FB 1543515299 Timestamp) ART: THE CRAFTING OF THE COMMONS (updated) (Information Association)
- Craftsmanship (Craft) (Physical information)
… Materials
… Technology
… Skill Design (Design) (Sensory information)
… Pattern (Sensory Aesthetics, Order)
… Depth (Complexity, Hand of man)
… Decoration (form vs function)Content (Art) (Meaningful information)
… Capturing
… … Utility vs
… … the Experience, vs
… … the Moment, Time, or Era (good and bad) vs
… … the Culture or Civilization, (good and bad) vs
… … the Eternal Condition of Mankind
… ie: Value Judgements
And
- Beauty (The Presence of Resources)
… Intention to Make Art (Investment in the commons)
… Hand (Time) of Man, Degree of Investment
… Scale (decoration to monument)
… Innovation (Mastery)
… Scarcity, Uniqueness, “One-ness”.
… Signal Value
And Measurement by Triangulation And … Literature … The Play … Movies … Music … Crafts … Fashion (technically a craft) … Painting, Print, (2d) … Sculpture, (3d) … Architecture (4d) … Monuments (5d) And … You. You and your experiences. Like reading text, the content you experience is a combination of your memories, with the art. ( Opera is an acquired taste. ) —“Is this a breakdown of why art is not merely subjective?”— Yes. Like many things our ‘taste’ consists of personal associations (subjective) to objective measures. We can measure the quality of art. “Your taste is a measure of you, not art.” So like vocabulary, or manners, or style, or other opinion, we retain some constant values, but learn to improve our taste: a skill. PHYSICS IN EVERYTHING = ECONOMICS IN EVERYTHING
- Craftsmanship (Craft) (Physical information)
-
Curt Doolittle updated his status.
(FB 1543515495 Timestamp) by Bill Joslin “The commons” was initially used (or at least at the time of corporatism in Germany) to mean the people. We are a product of the commons and a part of the commons – the primary part – the core.
-
Curt Doolittle updated his status.
(FB 1543515299 Timestamp) ART: THE CRAFTING OF THE COMMONS (updated) (Information Association)
- Craftsmanship (Craft) (Physical information)
… Materials
… Technology
… Skill Design (Design) (Sensory information)
… Pattern (Sensory Aesthetics, Order)
… Depth (Complexity, Hand of man)
… Decoration (form vs function)Content (Art) (Meaningful information)
… Capturing
… … Utility vs
… … the Experience, vs
… … the Moment, Time, or Era (good and bad) vs
… … the Culture or Civilization, (good and bad) vs
… … the Eternal Condition of Mankind
… ie: Value Judgements
And
- Beauty (The Presence of Resources)
… Intention to Make Art (Investment in the commons)
… Hand (Time) of Man, Degree of Investment
… Scale (decoration to monument)
… Innovation (Mastery)
… Scarcity, Uniqueness, “One-ness”.
… Signal Value
And Measurement by Triangulation And … Literature … The Play … Movies … Music … Crafts … Fashion (technically a craft) … Painting, Print, (2d) … Sculpture, (3d) … Architecture (4d) … Monuments (5d) And … You. You and your experiences. Like reading text, the content you experience is a combination of your memories, with the art. ( Opera is an acquired taste. ) —“Is this a breakdown of why art is not merely subjective?”— Yes. Like many things our ‘taste’ consists of personal associations (subjective) to objective measures. We can measure the quality of art. “Your taste is a measure of you, not art.” So like vocabulary, or manners, or style, or other opinion, we retain some constant values, but learn to improve our taste: a skill. PHYSICS IN EVERYTHING = ECONOMICS IN EVERYTHING
- Craftsmanship (Craft) (Physical information)
-
Curt Doolittle updated his status.
(FB 1543592915 Timestamp) THE COMMONS OF NOMOCRACY by Bill Joslin Nomocracy (Rule of Law) is a Commons. The forms of rule, outlined by Aristotle, describe the cycle of competition to gain a monopoly over the commons (to seize control of it). Nomocracy exists as a commons. [Nomocracy, under everyman a Sheriff (contract and criminal law separated from legislative and regulatory institutions), exists as a commons, where all contribute via participation in lawful behaviour, as well as execution of the law and all who do so reap the benefits – a type of property.)] An end to the many *-ocracies (forms of rule which monopolize law) could end civilizational cycles.
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Curt Doolittle updated his status.
(FB 1543592915 Timestamp) THE COMMONS OF NOMOCRACY by Bill Joslin Nomocracy (Rule of Law) is a Commons. The forms of rule, outlined by Aristotle, describe the cycle of competition to gain a monopoly over the commons (to seize control of it). Nomocracy exists as a commons. [Nomocracy, under everyman a Sheriff (contract and criminal law separated from legislative and regulatory institutions), exists as a commons, where all contribute via participation in lawful behaviour, as well as execution of the law and all who do so reap the benefits – a type of property.)] An end to the many *-ocracies (forms of rule which monopolize law) could end civilizational cycles.
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Curt Doolittle updated his status.
(FB 1545531996 Timestamp) —“Well, what’s the difference between NS and propertarianism?”— The similarity is nationalism, intolerance, emphasis on commons rather than consumption, and identity. The difference is the monarchy and the traditional government, with extremely limited (and strict) constraints on the government, and liability for anyone who serves in government. —“I haven’t really seen how a future Propertarian government would anoint their ruler.”– Its because aside from monarchy, I simply list the choices of government and leadership available, and tell people to make the choice most relative for their population and its demographics. In other words, it’s under rule of law the means of producing commons (‘ruler’) varies by condition (war, normalcy, windfalls), size of the population (small, medium, large), and the demographics (high quality, medium, low quality) . That said everything else is the same. —” is Propertarianism traditionalist Libertarianism with teeth and logic? And an emphasis on spiritualism and identity?”– It’s the western tradition of sovereign men, updated to be pessimistic about the left.