Theme: Coercion

ANSWERS TO THREE QUESTIONS

1) —“Hi Curt, wondering what your thoughts are on ostracism as an effective way to discourage degenerate behaviour. It’s something Stef points to and I’m beginning to see it as a rather feminine method”—

Well, I think both pre and post are valulable in the sense that I think it is very important to preserve both ostracism AND to require demonstraion of competence for inclusion. In other words, everyone may require via negativa protection under natural law, but fewer people are capable of via positiva exercise of political judgement, and there are some if not many people who must be ostracized (lose citizenship, benefits, liberty, or life) in defense of others – and that we have been far too tolerant by ending the general eugenic process provided by hanging a lot of malcontents every year.

2) —“Re: the successful march, important to be involved in such an historic moment. When shit goes down it will be remembered as “the first peaceful demonstration of American patriotism”, or some such. Year after year of Antifa antics are met by 20000 armed men. It’s beautiful”—

The point is (a) we can show up in large numbers, even on a work day (b) antifa is always the source of violence, not us (c) c’ville was antifa not the right. So I think we succeeded in making our points: 1) we have to show up in large numbers, 2) we have to use the rights framework not the identity framework, even though the result is the same. 3) revolution comes.

3) —“I’m interested to know your thoughts on the cultural importance of cinema and the shift from written to visual communication”—

Cinema combines the play and photography, to produce greater accessibility, and extraordinary beauty, but the era with which we produced cinematic “literature” ended by the 1960’s. And we are in full postmodern anti-civilizational decline in the arts just as the jews intended. Just as they destroyed the arts and literature of the ancient world. The most important feature of cinema otherwise has been the concentration of income in the cinema industry thereby depleting the rest of the arts of income and funding. So between the marxist, cultural marxist, postmodernist, feminist, denialist undermining of civilization; cinematic decline in post-lit screenwriting; collapse in funding of the arts; the use of panel products in construction of our buildings and therefore, incompatibility of art and architecture; and the perception of building spaces as temporary rather than intergenerational – cinema has been good and bad. But we are seeing the collapse of the income model. I have a fairly clear view of the future of the arts if we end the american empire and especially if we end copyright and substitute creative commons, then I think we will deprive the industry of any chance of funding, and this will force the correction we are looking for.