Curt Doolittle

Form: Outline

  • Curt Doolittle updated his status.

    (FB 1543496369 Timestamp) THE FORMAT OF POSTS – A STYLE GUIDE 1 – A POST ————————– THIS TITLE MEANS I WROTE IT FOR YOU TO READ AS AN ARGUMENT (this cues you to important stuff) And this is the body text here. Particularly if I break it into paragraphs. ––“this is quoting someone else”–– —this is quoting myself— … this … … is a … … … series that you might want to learn. |SERIES|: This > Is > A > Dimensional > Definition SUBHEADING And more text goes here. Subheadings cue you to the content. Signature Line I use the signature line for myself. So that I can search for the posts I want to publish on my web site later. So they are sort of a ‘stamp of approval’. 2 – A NOTE OR SKETCH ————————– this doesn’t have header, isn’t broken into paragraphs, and doesn’t even use init-caps, so it’s just a record from elsewhere or quick thought or observation, or a work in progress – rumination. 3 – A PERSONAL OPINION ————————– (this doesn’t have a header, is in parenthesis and in all lower case, which means it’s possibly something to ignore … because it’s not an argument. it’s just an opinion or feeling.) 4 – A DIARY ENTRY ————————– (diary entry) this is something I wrote for myself that is unfiltered, and likely includes very personal feelings of my own, or on the state of my thinking, and not something that you will probably want to read unless the psychology that I operate under is of some interest to you or other. 5 — ON STYLE ————————– Bold to allow for those of us who read quickly to scan by keywords. Capitals: for names of Ideas, like “Rationalism”, “Sovereignty”, “Propertarianism”, or Neologisms, or to alert you to disambiguation (redefinitions). Parentheticals “(…)”: to bridge operational(technical) and meaningful(familiar) terms, or to limit interpretation. Series and Lists : a sequence of definitions representing a spectrum of terms. The use of series deflates, increases precision, and defeats conflation. First exposure to the methodology’s use and repetition of series tends to both be the most obvious and most helpful of the techniques. Constructions : tracing the path of the development of ideas from primitive to current constructions. Algorithms : general processes for the construction of deflations. Wordy Prose. – Analytic Philosophy is, of necessity, WORDY. – Operational Language is, of necessity, WORDY. – Programming Algorithms is, of necessity, WORDY. – Law, whether Contractual, Legislative, or Constitutional, is WORDY. – Algorithmic Natural Law is of necessity, WORDY. Technical Languages evolve to speak precisely. Precise language contains technical terms and is wordy. Why, if all the other sciences require technical language, would we think that speaking technically in the science of cooperation is not going to be wordy? Well, it’s going to be wordy. =========================== Closing: I work in public, partly to conduct experiments. I am personally open in public because this prevents people attributing psychological motivations to me that I don’t have. I create conflict in order to run tests. The purpose of running a test is to attempt to create a proof. Curt Doolittle The Propertarian Institute Kiev, Ukraine

  • Curt Doolittle updated his status.

    (FB 1543454503 Timestamp) ART: THE CRAFTING OF THE COMMONS (Information Association)

    1. Craftsmanship (Craft) (Physical information)
      … Materials
      … Technology
      … Skill

    2. Design (Design) (Sensory information)
      … Pattern (Sensory Aesthetics, Order)
      … Depth (Complexity, Hand of man)
      … Decoration (form vs function)

    3. Content (Art) (Meaningful information)
      … Capturing
      … … Utility vs
      … … the Experience, vs
      … … the Moment, Time, or Era (good and bad) vs
      … … the Culture or Civilization, (good and bad) vs
      … … the Eternal Condition of Mankind
      … ie: Value Judgements

    And

    1. Beauty (The Presence of Resources)
      … Intention to Make Art (Investment in the commons)
      … Hand (Time) of Man, Degree of Investment
      … Scale (decoration to monument)
      … Scarcity, Uniqueness, “One-ness”.
      … Innovation (Mastery)
      … Signal Value

    And Measurement by Triangulation And … Literature … The Play … Movies … Music … Crafts … Fashion (technically a craft) … Painting, Print, (2d) … Sculpture, (3d) … Architecture (4d) … Monuments (5d) And … You. You and your experiences. Like reading text, the content you experience is a combination of your memories, with the art. ( Opera is an acquired taste. ) —“Is this a breakdown of why art is not merely subjective?”— Yes. Like many things our ‘taste’ consists of personal associations (subjective) to objective measures. We can measure the quality of art. “Your taste is a measure of you, not art.” So like vocabulary, or manners, or style, or other opinion, we retain some constant values, but learn to improve our taste: a skill. PHYSICS IN EVERYTHING = ECONOMICS IN EVERYTHING

  • Curt Doolittle updated his status.

    (FB 1543496369 Timestamp) THE FORMAT OF POSTS – A STYLE GUIDE 1 – A POST ————————– THIS TITLE MEANS I WROTE IT FOR YOU TO READ AS AN ARGUMENT (this cues you to important stuff) And this is the body text here. Particularly if I break it into paragraphs. ––“this is quoting someone else”–– —this is quoting myself— … this … … is a … … … series that you might want to learn. |SERIES|: This > Is > A > Dimensional > Definition SUBHEADING And more text goes here. Subheadings cue you to the content. Signature Line I use the signature line for myself. So that I can search for the posts I want to publish on my web site later. So they are sort of a ‘stamp of approval’. 2 – A NOTE OR SKETCH ————————– this doesn’t have header, isn’t broken into paragraphs, and doesn’t even use init-caps, so it’s just a record from elsewhere or quick thought or observation, or a work in progress – rumination. 3 – A PERSONAL OPINION ————————– (this doesn’t have a header, is in parenthesis and in all lower case, which means it’s possibly something to ignore … because it’s not an argument. it’s just an opinion or feeling.) 4 – A DIARY ENTRY ————————– (diary entry) this is something I wrote for myself that is unfiltered, and likely includes very personal feelings of my own, or on the state of my thinking, and not something that you will probably want to read unless the psychology that I operate under is of some interest to you or other. 5 — ON STYLE ————————– Bold to allow for those of us who read quickly to scan by keywords. Capitals: for names of Ideas, like “Rationalism”, “Sovereignty”, “Propertarianism”, or Neologisms, or to alert you to disambiguation (redefinitions). Parentheticals “(…)”: to bridge operational(technical) and meaningful(familiar) terms, or to limit interpretation. Series and Lists : a sequence of definitions representing a spectrum of terms. The use of series deflates, increases precision, and defeats conflation. First exposure to the methodology’s use and repetition of series tends to both be the most obvious and most helpful of the techniques. Constructions : tracing the path of the development of ideas from primitive to current constructions. Algorithms : general processes for the construction of deflations. Wordy Prose. – Analytic Philosophy is, of necessity, WORDY. – Operational Language is, of necessity, WORDY. – Programming Algorithms is, of necessity, WORDY. – Law, whether Contractual, Legislative, or Constitutional, is WORDY. – Algorithmic Natural Law is of necessity, WORDY. Technical Languages evolve to speak precisely. Precise language contains technical terms and is wordy. Why, if all the other sciences require technical language, would we think that speaking technically in the science of cooperation is not going to be wordy? Well, it’s going to be wordy. =========================== Closing: I work in public, partly to conduct experiments. I am personally open in public because this prevents people attributing psychological motivations to me that I don’t have. I create conflict in order to run tests. The purpose of running a test is to attempt to create a proof. Curt Doolittle The Propertarian Institute Kiev, Ukraine

  • Curt Doolittle updated his status.

    (FB 1543454503 Timestamp) ART: THE CRAFTING OF THE COMMONS (Information Association)

    1. Craftsmanship (Craft) (Physical information)
      … Materials
      … Technology
      … Skill

    2. Design (Design) (Sensory information)
      … Pattern (Sensory Aesthetics, Order)
      … Depth (Complexity, Hand of man)
      … Decoration (form vs function)

    3. Content (Art) (Meaningful information)
      … Capturing
      … … Utility vs
      … … the Experience, vs
      … … the Moment, Time, or Era (good and bad) vs
      … … the Culture or Civilization, (good and bad) vs
      … … the Eternal Condition of Mankind
      … ie: Value Judgements

    And

    1. Beauty (The Presence of Resources)
      … Intention to Make Art (Investment in the commons)
      … Hand (Time) of Man, Degree of Investment
      … Scale (decoration to monument)
      … Scarcity, Uniqueness, “One-ness”.
      … Innovation (Mastery)
      … Signal Value

    And Measurement by Triangulation And … Literature … The Play … Movies … Music … Crafts … Fashion (technically a craft) … Painting, Print, (2d) … Sculpture, (3d) … Architecture (4d) … Monuments (5d) And … You. You and your experiences. Like reading text, the content you experience is a combination of your memories, with the art. ( Opera is an acquired taste. ) —“Is this a breakdown of why art is not merely subjective?”— Yes. Like many things our ‘taste’ consists of personal associations (subjective) to objective measures. We can measure the quality of art. “Your taste is a measure of you, not art.” So like vocabulary, or manners, or style, or other opinion, we retain some constant values, but learn to improve our taste: a skill. PHYSICS IN EVERYTHING = ECONOMICS IN EVERYTHING

  • Curt Doolittle updated his status.

    (FB 1543531421 Timestamp) THE CHOICES OF SOCIAL ORDER GOVERNANCE …………..Force —– Religion —— Trade (anglo) Control Violence and the Law (Law) Force……..X……………………………………….. Force……..X……………….X……………………. Force……..X…………………………………..X… Force……..X……………….X………………..X… Control Education, Inclusion, Exclusion (Norms) Religion………………………X……………………. Religion…..X………………..X……………………. Religion………………………X……………….X…. Religion…..X………………..X……………….X…. Control Money and Credit ( Consumption ) Trade……..X……………………………………….. Trade……..X………………..X……………………. Trade……..X…………………………………..X…. Trade……..X………………..X……………….X…. We evolved Force (aristocracy) > Administrative | Administrative (Religion) > Trade (commercial) because it was necessary. We should note that the middle east did NOT follow the same route, and developed Religion > Force(kings) > Priest-Kings > Centralized government and production > Then Trade. Never rule of law. This is why the fertile crescent was both a benefit and a curse. Just as resource curses are always a double edged sword. Means of Decision on the Organization of Production and Choice of Commons: ………………Monarchy .. Oligarchy .. Rule of Law . Democracy Auth……..: ……X Rentiers…: ……………………..X Markets…:………………………………………..X Socialism.:…………………………………………………………….X See?

  • Curt Doolittle updated his status.

    (FB 1543515299 Timestamp) ART: THE CRAFTING OF THE COMMONS (updated) (Information Association)

    1. Craftsmanship (Craft) (Physical information)
      … Materials
      … Technology
      … Skill

    2. Design (Design) (Sensory information)
      … Pattern (Sensory Aesthetics, Order)
      … Depth (Complexity, Hand of man)
      … Decoration (form vs function)

    3. Content (Art) (Meaningful information)
      … Capturing
      … … Utility vs
      … … the Experience, vs
      … … the Moment, Time, or Era (good and bad) vs
      … … the Culture or Civilization, (good and bad) vs
      … … the Eternal Condition of Mankind
      … ie: Value Judgements

    And

    1. Beauty (The Presence of Resources)
      … Intention to Make Art (Investment in the commons)
      … Hand (Time) of Man, Degree of Investment
      … Scale (decoration to monument)
      … Innovation (Mastery)
      … Scarcity, Uniqueness, “One-ness”.
      … Signal Value

    And Measurement by Triangulation And … Literature … The Play … Movies … Music … Crafts … Fashion (technically a craft) … Painting, Print, (2d) … Sculpture, (3d) … Architecture (4d) … Monuments (5d) And … You. You and your experiences. Like reading text, the content you experience is a combination of your memories, with the art. ( Opera is an acquired taste. ) —“Is this a breakdown of why art is not merely subjective?”— Yes. Like many things our ‘taste’ consists of personal associations (subjective) to objective measures. We can measure the quality of art. “Your taste is a measure of you, not art.” So like vocabulary, or manners, or style, or other opinion, we retain some constant values, but learn to improve our taste: a skill. PHYSICS IN EVERYTHING = ECONOMICS IN EVERYTHING

  • Curt Doolittle updated his status.

    (FB 1543531421 Timestamp) THE CHOICES OF SOCIAL ORDER GOVERNANCE …………..Force —– Religion —— Trade (anglo) Control Violence and the Law (Law) Force……..X……………………………………….. Force……..X……………….X……………………. Force……..X…………………………………..X… Force……..X……………….X………………..X… Control Education, Inclusion, Exclusion (Norms) Religion………………………X……………………. Religion…..X………………..X……………………. Religion………………………X……………….X…. Religion…..X………………..X……………….X…. Control Money and Credit ( Consumption ) Trade……..X……………………………………….. Trade……..X………………..X……………………. Trade……..X…………………………………..X…. Trade……..X………………..X……………….X…. We evolved Force (aristocracy) > Administrative | Administrative (Religion) > Trade (commercial) because it was necessary. We should note that the middle east did NOT follow the same route, and developed Religion > Force(kings) > Priest-Kings > Centralized government and production > Then Trade. Never rule of law. This is why the fertile crescent was both a benefit and a curse. Just as resource curses are always a double edged sword. Means of Decision on the Organization of Production and Choice of Commons: ………………Monarchy .. Oligarchy .. Rule of Law . Democracy Auth……..: ……X Rentiers…: ……………………..X Markets…:………………………………………..X Socialism.:…………………………………………………………….X See?

  • Curt Doolittle updated his status.

    (FB 1543515299 Timestamp) ART: THE CRAFTING OF THE COMMONS (updated) (Information Association)

    1. Craftsmanship (Craft) (Physical information)
      … Materials
      … Technology
      … Skill

    2. Design (Design) (Sensory information)
      … Pattern (Sensory Aesthetics, Order)
      … Depth (Complexity, Hand of man)
      … Decoration (form vs function)

    3. Content (Art) (Meaningful information)
      … Capturing
      … … Utility vs
      … … the Experience, vs
      … … the Moment, Time, or Era (good and bad) vs
      … … the Culture or Civilization, (good and bad) vs
      … … the Eternal Condition of Mankind
      … ie: Value Judgements

    And

    1. Beauty (The Presence of Resources)
      … Intention to Make Art (Investment in the commons)
      … Hand (Time) of Man, Degree of Investment
      … Scale (decoration to monument)
      … Innovation (Mastery)
      … Scarcity, Uniqueness, “One-ness”.
      … Signal Value

    And Measurement by Triangulation And … Literature … The Play … Movies … Music … Crafts … Fashion (technically a craft) … Painting, Print, (2d) … Sculpture, (3d) … Architecture (4d) … Monuments (5d) And … You. You and your experiences. Like reading text, the content you experience is a combination of your memories, with the art. ( Opera is an acquired taste. ) —“Is this a breakdown of why art is not merely subjective?”— Yes. Like many things our ‘taste’ consists of personal associations (subjective) to objective measures. We can measure the quality of art. “Your taste is a measure of you, not art.” So like vocabulary, or manners, or style, or other opinion, we retain some constant values, but learn to improve our taste: a skill. PHYSICS IN EVERYTHING = ECONOMICS IN EVERYTHING

  • Curt Doolittle updated his status.

    (FB 1543996204 Timestamp) THE GRAMMARS OF TRUTH AND DECEIT (worth repeating) … 7) |TRUTHFUL GRAMMARS OF EXPRESSION| Math, Logic, Science, Operations(protocols, processes, recipes), Economics (money, banking, finance, accounting), Law (Natural), History, Literature (including poetry > essay > fiction > mythology). 8) |DECEIT| failure of due diligence > ignorance > error > bias > wishful thinking > loading > framing > suggestion > obscurantism > fictionalism > denialism > and deceit. 9) |FICTIONALISMS| Deceit > Sophism > Pseudoscience > Supernaturalism. 10) |AVOIDANCE| Disapproval > shaming > moralizing > psychologizing > ridicule >rallying > gossiping > undermining > and reputation-destruction. “DSRRGUR”. 11) |ABRAHAMIC GRAMMARS|: Disapproval as substitute for argument > False Promise > Pilpul (sophism) > Critique () > Heaping of Undue Praise, Straw Man Criticism as a Vehicle for Disapproval > Reputation Destruction > Failure to Supply a Competing alternative capable of surviving same criticisms > Authoritarian Conformity, 12) |ABRAHAMIC EVOLUTION| Abrahamism > (Adding Platonism) > Judaism > Christianity > Islam > (Dark Age Theology) > Marxism > Postmodernism > Feminism > Denialism: “APMPFD”. 13) |LONG CYCLE OF HISTORY| {MALE EVOLUTIONARY TERRITORIAL: Fast Scientific Western > Medium Rational Eastern > Slow Narrative Indian Indian} vs FEMALE DEVOLUTIONARY MIGRATORY: Supernatural Semitic counter-evolutionary strategy. With Africa, Americas and Pacifica Lagging, and (it appears) Australian-NZ regressing.

  • Curt Doolittle updated his status.

    (FB 1543996204 Timestamp) THE GRAMMARS OF TRUTH AND DECEIT (worth repeating) … 7) |TRUTHFUL GRAMMARS OF EXPRESSION| Math, Logic, Science, Operations(protocols, processes, recipes), Economics (money, banking, finance, accounting), Law (Natural), History, Literature (including poetry > essay > fiction > mythology). 8) |DECEIT| failure of due diligence > ignorance > error > bias > wishful thinking > loading > framing > suggestion > obscurantism > fictionalism > denialism > and deceit. 9) |FICTIONALISMS| Deceit > Sophism > Pseudoscience > Supernaturalism. 10) |AVOIDANCE| Disapproval > shaming > moralizing > psychologizing > ridicule >rallying > gossiping > undermining > and reputation-destruction. “DSRRGUR”. 11) |ABRAHAMIC GRAMMARS|: Disapproval as substitute for argument > False Promise > Pilpul (sophism) > Critique () > Heaping of Undue Praise, Straw Man Criticism as a Vehicle for Disapproval > Reputation Destruction > Failure to Supply a Competing alternative capable of surviving same criticisms > Authoritarian Conformity, 12) |ABRAHAMIC EVOLUTION| Abrahamism > (Adding Platonism) > Judaism > Christianity > Islam > (Dark Age Theology) > Marxism > Postmodernism > Feminism > Denialism: “APMPFD”. 13) |LONG CYCLE OF HISTORY| {MALE EVOLUTIONARY TERRITORIAL: Fast Scientific Western > Medium Rational Eastern > Slow Narrative Indian Indian} vs FEMALE DEVOLUTIONARY MIGRATORY: Supernatural Semitic counter-evolutionary strategy. With Africa, Americas and Pacifica Lagging, and (it appears) Australian-NZ regressing.