Form: Short Note

  • LEARNING ART HISTORY You read Gardner – I mean that’s enough. You learn world hi

    LEARNING ART HISTORY

    You read Gardner – I mean that’s enough. You learn world history; you get a vague grasp of technological history -most of art history is the evolution of representational technologies on the one hand and mythos (symbolism) on the other.

    Monumental art is expensive, and empires can afford the expensive, and it’s one of the few things that is extremely difficult to imitate without equal expense, so it has extraordinary signal value. Monuments are profoundly good investments in reality. There is no equivalent.

    When you understand its all just money, and that military empires create good art because they both can afford to and politically need to then it’s all rather obvious.

    From that knowledge base you can focus on the mastery of each of the crafts – all of which combine both technical knowledge with extraordinary repetition (training). And so I found working in fine art as tedious as playing chess: in order to be good enough you must spend ten years getting there and only after that have you any chance of making a difference.

    As such, either you find an innovation in representational technology young and use it (like mathematicians do) or you develop deep talents like all craftsmen do.

    The problem with literature at present (meaning) is that (((they))) have been working through marxism, POMO, feminism for over a century now to destroy all forms of excellence via critique – essentially soiling everything that is beautiful and excellent with the fecal matter of marxism/feminism/postmodernism.

    I know that I read encyclopedias and history young, studied art and see human history as the evolution of arts and technologies. It was after I added economics and economic history that I developed a wholistic understanding of man.

    Hence why I have a low opinion of the history of thought: it consists largely of the middle class writing opposition literature against the status quo by proposing ideals that are existentially impossible but agitating and cathartic none the less.


    Source date (UTC): 2018-05-19 10:57:00 UTC

  • Learning Art History

    You read Gardner – I mean that’s enough. You learn world history; you get a vague grasp of technological history -most of art history is the evolution of representational technologies on the one hand and mythos (symbolism) on the other. Monumental art is expensive, and empires can afford the expensive, and it’s one of the few things that is extremely difficult to imitate without equal expense, so it has extraordinary signal value. Monuments are profoundly good investments in reality. There is no equivalent. When you understand its all just money, and that military empires create good art because they both can afford to and politically need to then it’s all rather obvious. From that knowledge base you can focus on the mastery of each of the crafts – all of which combine both technical knowledge with extraordinary repetition (training). And so I found working in fine art as tedious as playing chess: in order to be good enough you must spend ten years getting there and only after that have you any chance of making a difference. As such, either you find an innovation in representational technology young and use it (like mathematicians do) or you develop deep talents like all craftsmen do. The problem with literature at present (meaning) is that (((they))) have been working through marxism, POMO, feminism for over a century now to destroy all forms of excellence via critique – essentially soiling everything that is beautiful and excellent with the fecal matter of marxism/feminism/postmodernism. I know that I read encyclopedias and history young, studied art and see human history as the evolution of arts and technologies. It was after I added economics and economic history that I developed a wholistic understanding of man. Hence why I have a low opinion of the history of thought: it consists largely of the middle class writing opposition literature against the status quo by proposing ideals that are existentially impossible but agitating and cathartic none the less. May 19, 2018 10:57am

  • Learning Art History

    You read Gardner – I mean that’s enough. You learn world history; you get a vague grasp of technological history -most of art history is the evolution of representational technologies on the one hand and mythos (symbolism) on the other. Monumental art is expensive, and empires can afford the expensive, and it’s one of the few things that is extremely difficult to imitate without equal expense, so it has extraordinary signal value. Monuments are profoundly good investments in reality. There is no equivalent. When you understand its all just money, and that military empires create good art because they both can afford to and politically need to then it’s all rather obvious. From that knowledge base you can focus on the mastery of each of the crafts – all of which combine both technical knowledge with extraordinary repetition (training). And so I found working in fine art as tedious as playing chess: in order to be good enough you must spend ten years getting there and only after that have you any chance of making a difference. As such, either you find an innovation in representational technology young and use it (like mathematicians do) or you develop deep talents like all craftsmen do. The problem with literature at present (meaning) is that (((they))) have been working through marxism, POMO, feminism for over a century now to destroy all forms of excellence via critique – essentially soiling everything that is beautiful and excellent with the fecal matter of marxism/feminism/postmodernism. I know that I read encyclopedias and history young, studied art and see human history as the evolution of arts and technologies. It was after I added economics and economic history that I developed a wholistic understanding of man. Hence why I have a low opinion of the history of thought: it consists largely of the middle class writing opposition literature against the status quo by proposing ideals that are existentially impossible but agitating and cathartic none the less. May 19, 2018 10:57am

  • ARROGANCE, ENEMIES, AND CULT ACCUSATIONS ARE JUST SUCCESS MARKERS @ Bernard Mito

    ARROGANCE, ENEMIES, AND CULT ACCUSATIONS ARE JUST SUCCESS MARKERS

    @ Bernard Mitochondrie

    (… “you are a legend in some” … )

    The more enemies a man has the more substantive his threat to them. Friends tell us little. Enemies tell us a great deal. The fact that people must counter-signal to defend their malinvestments from my arguments is simply evidence of their malinvestments, and nothing more.

    I attacked the libertards and ancaps as a means of marketing. Not because I wanted to change their malinvestments. But because I wanted to deny them the signals from those malinvestments.

    A cult of the law is a compliment for continuing western civilizations central competitive value. I can’t ask for higher praise or greater success.

    I’m arrogant so that I can (a) draw in and defeat pretentious sophists like you (which I did today), and (b) becasue it causes people to use emotion and more readily expose their incentives and mistakes, and (c) to counter the signal value of sophomoric arguments (like I’m doing to you), so that the male attempt to seek dominance signals at my expense is frustrated.

    In person, anyone who has met me will tell you I’m patient, kind, helpful, humorous (except in the face of intellectual dishonesty).

    I mean, you shot your wad and you’ve shown you’ve got nothing but sophisms, false premises and confusions. And worse, that you don’t understand at all what i”m talking about by asserting that I engage in justificationism rather than survival (falsificationism).

    I mean, in that sense you’re kinda ‘dumb’ because even the newbs tend to get that part figured out.

    Your vocabulary and structure of argument suggest you have intellectual capacity, but your values suggest you have low sexual social economic and political market value, and are trying to compensate by a means that does not seem to be working at any scale whatsoever.


    Source date (UTC): 2018-05-18 20:16:00 UTC

  • TROLL BLOCK-LIST OUT TO THREE DEGREES TWITTER @jamesweeksii WATCH LIST Rennaq Va

    TROLL BLOCK-LIST OUT TO THREE DEGREES

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    ანა ზავრაშვილი


    Source date (UTC): 2018-05-18 17:57:00 UTC

  • @realDonaldTrump #Trump If they continue to try to frame you Mr President, just

    @realDonaldTrump #Trump If they continue to try to frame you Mr President, just ask, and we will clear the swamp in days. All you have to do is ask. Revolution Comes.


    Source date (UTC): 2018-05-18 15:10:55 UTC

    Original post: https://twitter.com/i/web/status/997494747534151680

  • Male and female brains differ structurally. Male and female brains differ in end

    Male and female brains differ structurally.

    Male and female brains differ in endocrine responses.

    Male and female brains differ in cognitive biases.

    Male and female brains vary morally because of those differences.

    What I think people are confused by is:

    – That these are only biases and we all share experiences.

    – That our brains divide the labor of searching for opportunity (prey) and searching for risk (predators).

    – That some of us develop in more masculine environments and therefore adapt to them through ‘exercise’ of those cognitive, emotional, and moral biases; and some of us develop in more femiine environments and adapt to them through like exercise. THe problem is that both males and females need sufficient stresses of adaptation to function in their gender roles.

    So there are more feminine males and more masculine males in both body, emotions, and minds.


    Source date (UTC): 2018-05-18 11:51:00 UTC

  • Um, just tax people by population density. It’s not complicated. It’s progressiv

    Um, just tax people by population density. It’s not complicated. It’s progressive as hell. Higher density means lower cost of commons maintenance and lower opportunity cost, and higher income. Now we progressively tax income but we don’t progressively tax benefits from the commons, and give credit for maintenance of the commons.


    Source date (UTC): 2018-05-18 11:21:00 UTC

  • how the chinese deal with islam

    how the chinese deal with islam


    Source date (UTC): 2018-05-18 07:10:44 UTC

    Original post: https://twitter.com/i/web/status/997373906834124800

  • how the chinese deal with islam

    how the chinese deal with islam

    https://apnews.com/6e151296fb194f85ba69a8babd972e4b/Chinese-mass-indoctrination-camps-evoke-Cultural-Revolution


    Source date (UTC): 2018-05-18 03:10:00 UTC