Curt Doolittle

Category: Civilization, History, and Anthropology

  • Curt Doolittle updated his status.

    (FB 1543454503 Timestamp) ART: THE CRAFTING OF THE COMMONS (Information Association)

    1. Craftsmanship (Craft) (Physical information)
      … Materials
      … Technology
      … Skill

    2. Design (Design) (Sensory information)
      … Pattern (Sensory Aesthetics, Order)
      … Depth (Complexity, Hand of man)
      … Decoration (form vs function)

    3. Content (Art) (Meaningful information)
      … Capturing
      … … Utility vs
      … … the Experience, vs
      … … the Moment, Time, or Era (good and bad) vs
      … … the Culture or Civilization, (good and bad) vs
      … … the Eternal Condition of Mankind
      … ie: Value Judgements

    And

    1. Beauty (The Presence of Resources)
      … Intention to Make Art (Investment in the commons)
      … Hand (Time) of Man, Degree of Investment
      … Scale (decoration to monument)
      … Scarcity, Uniqueness, “One-ness”.
      … Innovation (Mastery)
      … Signal Value

    And Measurement by Triangulation And … Literature … The Play … Movies … Music … Crafts … Fashion (technically a craft) … Painting, Print, (2d) … Sculpture, (3d) … Architecture (4d) … Monuments (5d) And … You. You and your experiences. Like reading text, the content you experience is a combination of your memories, with the art. ( Opera is an acquired taste. ) —“Is this a breakdown of why art is not merely subjective?”— Yes. Like many things our ‘taste’ consists of personal associations (subjective) to objective measures. We can measure the quality of art. “Your taste is a measure of you, not art.” So like vocabulary, or manners, or style, or other opinion, we retain some constant values, but learn to improve our taste: a skill. PHYSICS IN EVERYTHING = ECONOMICS IN EVERYTHING

  • Curt Doolittle updated his status.

    (FB 1543449355 Timestamp) —“Yeah, a problem with current schools and universities is that they don’t teach children about who they are and what their ancestry is, and a law as a natural set of rules protecting the lineage, not some arbitrary game.”—Igor Rogov

  • Curt Doolittle shared a post.

    (FB 1543423166 Timestamp) THE REQUIREMENTS FOR A EUROPEAN IDENTITY (worth repeating) (edited) All that is required to claim one is a Christian is to have adopted the teachings of Christianity: THE UNIVERSAL IDENTITY: THE VIA-NEGATIVA 1. Do not covet (envy) 2. Do not lie, cheat, gossip, or conspire. 3. Do not rape, adulter, or prostitute. 4. Do not murder, steal, or harm. THE CHRISTIAN IDENTITY: THE VIA-POSITIVA 1. The eradication of hatred from the human heart. 2. The extension of kinship love to non-kin. 3. The extension of exhaustive forgiveness before punishment, enserfment, enslavement, death, or war. 4. The commitment to personal acts of charity for those who are in need. THE ARYAN EUROPEAN IDENTITY 1. Demand and Do: Sovereignty and Reciprocity, 2. Demand and Do: Truth and Duty 3. Demand and Do: The Law and Markets 4. Demand and Do: Insure the Good, Punish the Wicked. THE HEATHEN EUROPEAN IDENTITY 1. The laws of nature are binding on all of existence; and; 2. Nature is sacred and to be contemplated, protected and improved; and; 3. To leave the universe changed for the better – a Garden – for having lived in it. 4. To die a good death in the service of my people. THE TRANSCENDENCE OF MAN INTO GODS. Through the continuous competition between trial and error, as we calculate perfection one thought, word, and deed at a time. “ONE DROP RULE” For kin, the One Drop Rule. That this is the optimum ingroup evolutionary strategy is simply a matter of logic and evidence.

  • Curt Doolittle updated his status.

    (FB 1543515495 Timestamp) by Bill Joslin “The commons” was initially used (or at least at the time of corporatism in Germany) to mean the people. We are a product of the commons and a part of the commons – the primary part – the core.

  • Curt Doolittle updated his status.

    (FB 1543515299 Timestamp) ART: THE CRAFTING OF THE COMMONS (updated) (Information Association)

    1. Craftsmanship (Craft) (Physical information)
      … Materials
      … Technology
      … Skill

    2. Design (Design) (Sensory information)
      … Pattern (Sensory Aesthetics, Order)
      … Depth (Complexity, Hand of man)
      … Decoration (form vs function)

    3. Content (Art) (Meaningful information)
      … Capturing
      … … Utility vs
      … … the Experience, vs
      … … the Moment, Time, or Era (good and bad) vs
      … … the Culture or Civilization, (good and bad) vs
      … … the Eternal Condition of Mankind
      … ie: Value Judgements

    And

    1. Beauty (The Presence of Resources)
      … Intention to Make Art (Investment in the commons)
      … Hand (Time) of Man, Degree of Investment
      … Scale (decoration to monument)
      … Innovation (Mastery)
      … Scarcity, Uniqueness, “One-ness”.
      … Signal Value

    And Measurement by Triangulation And … Literature … The Play … Movies … Music … Crafts … Fashion (technically a craft) … Painting, Print, (2d) … Sculpture, (3d) … Architecture (4d) … Monuments (5d) And … You. You and your experiences. Like reading text, the content you experience is a combination of your memories, with the art. ( Opera is an acquired taste. ) —“Is this a breakdown of why art is not merely subjective?”— Yes. Like many things our ‘taste’ consists of personal associations (subjective) to objective measures. We can measure the quality of art. “Your taste is a measure of you, not art.” So like vocabulary, or manners, or style, or other opinion, we retain some constant values, but learn to improve our taste: a skill. PHYSICS IN EVERYTHING = ECONOMICS IN EVERYTHING

  • Curt Doolittle updated his status.

    (FB 1543511773 Timestamp) IMPERIALISM VS COLONIALISM (from elsewhere) I don’t make mistakes. It’s my job. It’s a dirty job policing sophists. But someone’s gotta do it. im·pe·ri·al·ism

    [imˈpirēəˌlizəm]

    NOUN a policy of extending a country’s power and influence through diplomacy or military force. co·lo·ni·al·ism

    [kəˈlōnēəˌlizəm]

    NOUN the policy or practice of acquiring full or partial political control over another country, occupying it with settlers, and exploiting it economically.

  • Curt Doolittle updated his status.

    (FB 1543529647 Timestamp) HOW DID THEY DO IT AND WHY CAN’T WE? Having divorced themselves from the burden of carrying territory, the classes necessary to defend it, police it, govern it, and the classes necessary to engage in production to pay for it, they were free to specialize in predation upon the host – primarily through various forms of usury, rent seeking, and conspiracy with the state against the people, and just as we redistributed lower class reproduction to the upper classes, they invested ALL of their reproduction in the parasitic classes. That’s the net of it right there. We can’t do that because we need to hold territory, fight for it, and pay for fighting for it, while continuously improving our condition. Ergo we produce commons and they parasitically consume and destroy commons. I mean. That’s the economics of it right there.

  • Curt Doolittle updated his status.

    (FB 1543516384 Timestamp) —“Aren’t the Meds the founders of western civ?”—Dominic Leyva Well, it’s the Yamna east, and corded ware west that founded western civilization’s uniqueness. It’s the greeks and romans that produced it’s scale. Whether the greeks were european is still in dispute. Itals (romans) are danubian (germanic). we still don’t know if the greek aristocracy was european, old european, or anatolian. (north south, or east west). There aren’t enough bodies for DNA yet, and the bodies we do have are all from outside the aristocratic classes. We need a few tombs or burians with DNA. The greeks, like the hittites appear to be european in social organization, language, and religions. Whether they were blue eyed and fair hair or brown eyed and black haired is only discernible from the literature, not from DNA yet. I suspect that the hellenes were europeans that invaded causing the bronze age collapse, or invaded to take advantage of the bronze age collapse.

  • Curt Doolittle updated his status.

    (FB 1543515612 Timestamp) Anglos had Thought Right. Germans had Man right.
    Russians had Others right. French had everything wrong. Ashkenazi had malicious intent.

  • Curt Doolittle updated his status.

    (FB 1543515299 Timestamp) ART: THE CRAFTING OF THE COMMONS (updated) (Information Association)

    1. Craftsmanship (Craft) (Physical information)
      … Materials
      … Technology
      … Skill

    2. Design (Design) (Sensory information)
      … Pattern (Sensory Aesthetics, Order)
      … Depth (Complexity, Hand of man)
      … Decoration (form vs function)

    3. Content (Art) (Meaningful information)
      … Capturing
      … … Utility vs
      … … the Experience, vs
      … … the Moment, Time, or Era (good and bad) vs
      … … the Culture or Civilization, (good and bad) vs
      … … the Eternal Condition of Mankind
      … ie: Value Judgements

    And

    1. Beauty (The Presence of Resources)
      … Intention to Make Art (Investment in the commons)
      … Hand (Time) of Man, Degree of Investment
      … Scale (decoration to monument)
      … Innovation (Mastery)
      … Scarcity, Uniqueness, “One-ness”.
      … Signal Value

    And Measurement by Triangulation And … Literature … The Play … Movies … Music … Crafts … Fashion (technically a craft) … Painting, Print, (2d) … Sculpture, (3d) … Architecture (4d) … Monuments (5d) And … You. You and your experiences. Like reading text, the content you experience is a combination of your memories, with the art. ( Opera is an acquired taste. ) —“Is this a breakdown of why art is not merely subjective?”— Yes. Like many things our ‘taste’ consists of personal associations (subjective) to objective measures. We can measure the quality of art. “Your taste is a measure of you, not art.” So like vocabulary, or manners, or style, or other opinion, we retain some constant values, but learn to improve our taste: a skill. PHYSICS IN EVERYTHING = ECONOMICS IN EVERYTHING