Mmm… that’s basically saying the law of averages, like the law of democratic m

Mmm… that’s basically saying the law of averages, like the law of democratic markets, races to the bottom? 😉

I don’t feel like getting deep into this discussion right now. But if you were to reframe your statement as we’ve seen in classical music’s discrete composition to contemporary composition/contemporary classical continous composition (elfman, williams, zimmer, morris, horner, shore, etc) then we could say it’s heading in the same direction yes. 😉

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